Impractical, practical chair
The concept of chairs has evolved over time, with designs influenced by various art movements and world events. A good chair is defined by several principles, including balance, emphasis, unity, rhythm, and proportion. In Japanese minimalism, chairs take on a unique approach, often designed to be easily stored or featuring a modular and simplistic style.
My aim is to create a chair that offers a one-of-a-kind seating experience - one that is both practical and impractical at the same time. The chair's simple frame resembles tree branches and incorporates a roller blind mechanism that allows the user to "pull" out of their seat. Additionally, the design promotes a comfortable sitting experience. The seat material can be easily swapped out to accommodate individual preferences.
EXPLORATION
For one of my third-year module projects, Seats Who, I was prompted to ponder the core essence of what a chair embodies and its various interpretations. My objective was to create a chair that appears impractical at first glance, yet defies expectations by being both robust and useful. I deliberately experimented with the structure to give it an unstable and flimsy appearance. Furthermore, ergonomics was a crucial factor taken into account during the design process.